Poems by John Brooks

Poems by John Brooks

Met

In an orca-colored room,
we glare into a jungle

which is actually Paris.
I tell you I loved Rousseau

when I was a young man;
I am a young man and love

Rousseau, you say. His half-coy
beast, concerned with repast

and eyeing something delicious
on Bonnard’s adjacent terrace,

pays us no mind. It’s morning—
there’s so much time—the king

is feeding, perhaps on a crocodile.
We skip Vincent’s wind-whirled

cypresses, Renoir’s hideous carmine
cheeks, and pass through ancient

lands: Phoenicia, with her serene
sarcophagi, and Babylon, where

a small, smooth frog was used
to measure weight. I want to

carve stone, you say. Feldspar,
hematite, if you can find it.

There’s only so much time.
We are leaping through gold

dust brume, backward into what
is now someone else’s shame.

Islands, romance, banquets
lie ahead, if we’re lucky…and

if we’re not, there is rose water
and war. But we are happy, kiss

anyway, step out into lamplight,
into city light, into a shower

of glowing meteors, and I am
at your feet, judging love’s

riddling timbre. You carry a trio
of hot soups; the miso blooms

in the broth. After days of rain,
the garden is open again; I turn

around to look at the flowers
and two women are grinning

at us. Their little dog lives
in a house for nothing. Under

your Wranglers, your underwear
is light blue and a little shiny,

like abalone, and barely
holds it all in.

 

Nightjars

Doomed to wander, nightjars
have a habit of resting

and roosting on roads. Gathering
strength to sing, they might also

be rewriting melodies. As a boy,
in the dark, I made myself

as flat as I could be under
the covers. On the top bunk,

I used to sing myself to sleep.
Here Comes the Rain Again, but

hymns, mostly: Make Me
a Channel of Your Peace, How

Great Thou Art. I sang loudly.
Too loudly, it seemed—my parents

came separately, knocking
politely on my door, asking me

to rejoice a little more quietly.
I remember my mother said

exactly that. Moonlighting
or Dallas was on. But those

songs filled me up and moved
me like wind: Then sings my soul!

and Oh, Master, grant that I may
never seek
. Those are not quiet

words! But I sang softer, just
to myself, so my voice would

never leave the room. National
Geographic
maps were pinned

to my walls. My loneliness roamed
around the continents, across

disputed borders, plumbed the sea
for notable rifts and trenches.

I thought everyone
felt all the feelings.

 

Lakehouse II

Lake silence, no night
song, no dawn chorus,

the birds already flown
south, the frogs burrowed

in the benthos. It’s autumn,
but almost warm. Young enough

to brave the chill, we debate
one last swim. I’m picking apples

with my eyes, scanning the ledge
across the water for delicious reds

amidst the ochres, titians, sepias.
This is a real backwoods town;

we download Grindr to see
what it’s like, but already know

each tiger, each somatic
archetype. Conner says

there’s a ninety-nine year old
owl spirit just a few towns

over, but he’s an expensive
kind of lady. I text my man

a picture of me in bed and
he replies could you try to be

a little less beautiful? A blue
sheet covers my lower body

like I’m half-submerged.
David has been writing

haikus; in an antique shop,
he bought an old copper

teapot. I considered
a pair of porcelain

geese, one of which
was marked damaged,

but when I looked,
I couldn’t find

the flaw.

A visual artist and poet, John Brooks explores themes of identity, memory, death and place while considering questions of contemplation, the expression of emotion, the transformative power and emotional resonance of particular experiences—and what Max Beckmann described as “the deepest feeling about the mystery of being."  Brooks is a native of central Kentucky. He studied Political Science and English literature at the College of Charleston, South Carolina, with continuing education in art at Central St. Martins and the Hampstead School of Art in London, England. His work has been exhibited in the United States and Europe and is held in the collection of 21C Museum Hotels, Grinnell College Museum of Art, and numerous private collections. Brooks's poetry has been published in Assaracus, East by Northeast, and Plainsongs. Over the last two decades, he spent several years in London and Chicago and has been based in Louisville, Kentucky, since late 2013. In 2017, Brooks launched Quappi Projects, a Louisville-based contemporary art gallery focusing on exhibiting work reflecting the zeitgeist, where he has curated over twenty-five exhibitions.

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