Laura Leigh Morris. Jaws of Life. Morgantown, W.Va.: Vandalia Press,…
The Wrecker Lot
After the latest town wreck, my mother
would drive us past the wrecker lot
to see the twisted shapes of metal;
bumpers and back ends deranged,
sharp edges glinting; passenger doors
cut away to remove the dying,
the already dead—the bodies, we heard,
sometimes burned beyond recognition.
Evening quiet would come down
from the trees as we sat, motor idling,
on a side street, window rolled down,
radio off, looking through the chain-
link fence. I imagined faces slammed
against dashboards, necks snapped,
doorframes thrust inward, tears,
brain matter, gas tank burst, ribs
mangled, lungs punctured, the slow
beginning of flames, the moment
of recognition.
I couldn’t stop myself.
Shouldn’t someone enter the mind
of a teenager facing her final moments,
no one present, just her and the tree
her sliding toward proved powerless
to halt? Shouldn’t someone think
of how she tried to lift her pinned arm,
of how she spoke her new child’s name,
knowing she wouldn’t live to hear
the ambulance arriving? What if,
in another time, we had turned one way
and not another? Isn’t the story out of
our hands, revealed to us in small
moments, now and then an hour, a day,
a memory that keeps returning? Some
of their names I’ve carried decades, to no
real end, for no good reason other than
the weight of thinking of the absence
absence makes of them, of how we stay
a while, taking in as much as we
can bear, then pulling away, faces
staunch against what’s left, the hopeless
inconsequential senseless familiar streets.